Reviews – What The Critics Are Saying:

“Playwright Cory Conley displays a bracingly original voice in his new comedy-drama “The More Loving One,” about two 20-something couples, one straight and one gay, who have each been together for about four years. Acutely observed, inventively structured, and acted impeccably under the nuanced direction of Craig Baldwin, the show is, in a word, terrific.”
Backstage (Critic’s Pick)

Remaining Performance Schedule:

VENUE #8: The First Floor Theatre @ LA MAMA
Sun 21 @ 4
Mon 22 @ 8
Sun 28 @ NOON

Imagine the shock and dismay when poor Miss Beaumont, a southern belle from 1861, is confronted with Joe’s thoroughly twentieth-century queer sensibilities. Worlds collide when the two have to face co-habitation… of the same body in this charmingly original solo show (if you’re only counting physical bodies on the stage that is).

“There are plays you give nice reviews to, and there are ones you highly recommend. This one is one of the latter.”
NYTheatre.com

“The title suggests an evening of camp, but writer-performer Joe Hutcheson has more on his mind. Original, inventive, as touching as it is funny, this 90-minute one-man show is rich, wise, and deeply human. ”
Backstage.com (Critic’s Pick)

“one of the nicest surprises of the year for me.”
Martin Denton, Memorable Highlights of the Theatre Season

“Take one hilarious 33-year-old gay man and a flamboyant, pre-Civil War Southern debutant, mix them together into a one-man show and you have the hour and 20 minutes of flaming fun”
NYPress

Winner of the FringeNYC Award for Overall Excellence in Production (Play)

A metatheatrical two hander centered on an obscure bit of history from 1914 when two out of work actors executed a police sting operation entrapping 31 homosexuals in Long Beach restrooms. The machinations of this play within a play within a play may be hard for some to follow, but that challenge is overshadowed entirely by the powerful performances.

What The Critics Are Saying:

“Jacobson’s dialogue sparkles with clever quips and authentic-sounding turn-of-the-previous-century dictation, and keeps the tension and interest high. The play requires a quite alarming chemistry and intimacy, and Bradley and Mammana work off each other like a well-oiled machine. It’s truly impressive character work, a tour-de-force for both men.”
BroadwayWorld.com

“A fascinating play, excellent cast and superior production values make The Twentieth-Century one of the best shows in Fringe NYC 2010. The Theatre @ Boston Court is to be commended for bringing this challenging and entertaining play to life.”
StageBuzz

“the play is in top gear for the entire 100 minutes running… and though the pace can be exhausting, there is undeniable talent involved.”
Wall Street Journal

“a playful and dangerous mix of reality and role-playing that echoes David Ives’s recent Venus in Furs. It’s a dazzling display, and occasionally dizzying. By the end, though, The Twentieth-Century Way’s confusions seem integral to its many satisfactions.”
TimeOut NY

ENCORE SERIES PERFORMANCE SCHEDULE:

Venue: The Players Theater (1h 40m)

9/16 @ 9:30
9/17 @ 7:00
9/18 @ 5:00
9/19 @ 8:00

Winner of the FringeNYC Award for Excellence in Playwriting – Harrison David Rivers
Winner of the FringeNYC Award for Excellence in Performance – Rory Limpede

A humane and multifaceted work about a midwest high school student coming to terms with his sexuality who finds refuge in, and draws inspiration from, a stolen copy of Angels in America.

Despite a number of solid performances (most notably Tamela Aldridge), the muddled script and overwrought lead (Jon-Michael Reese) prevent it from ever fully taking flight or even approaching the hem of the hallowed work it overtly apes.

Even so, there are still a few moments of authenticity, humor, and lyricism to be enjoyed, especially for those unspoiled by a familiarity with Kushner’s masterpiece. With a bit more flight training and confidence in his own voice fledgling playwright Harrison David Rivers may yet reach loftier heights.

Reviews – What The Critics Are Saying:

“If you think there’s no fresh way left to tell a gay coming-out tale, then you haven’t seen Harrison David Rivers’ exhilarating new play… This was the last of 14 shows I’ve reviewed in the Fringe this year. It couldn’t have possibly ended on a higher, more thrilling note.”
Backstage

“a loving homage to Tony Kushner’s epic Angels in America. Rivers intentionally mimics Kushner in both language and style, yet still manages to tell his own story, which is brought to life here by an ensemble that includes several stand-out performances.”
TheaterMania

“emotions are dealt with seriously, and Mr. Rivers’s incorporation of fantasy elevates the mundane to the ethereal. Tamela Aldridge and Karen Pittman give meaty performances as mothers whose emotions span the gamut, from frustrated to enraged to proud to relieved.”
Wall Street Journal

“If hope is the thing with feathers, as Dickinson wrote, then When Last We Flew is undeniably fledgling. Harrison David Rivers’s ambitious drama vibrates with potential…Rivers’s thoughtful and sensitive play is well worth catching”
TimeOut NY (4 Stars)

As a frequent theatregoer, nothing excites me more than discovering a great new author or a great new play. To discover it at random amongst 196 other shows is even better…Colette Robert’s production and Rivers’ script are by far some of the most polished I’ve ever seen at FringeNYC. Rivers has a great ear for dialogue and a helluva lot to say about being true to who you are, activism, and race…When Last We Flew is a show that just needs to be seen.”
NYTheatre

ENCORE SERIES PERFORMANCE SCHEDULE:

Venue: The Lucille Lortel Theater (2h 00m)

9/9 @ 9:30
9/11 @ 5:00
9/12 @ 8:00
9/16 @ 7:00

One of the most buzzed about shows of the last week, 3Boys with it’s intelligent, complex, testosterone laden canine allegory has clearly marked it’s territory at the Fringe this year.

Fetched your tickets yet?

Good boy.

“One of the best Fringe plays I’ve ever seen; 3boys has a great script that keeps you thinking long after the play has ended, and best of all, it leaves you wanting more.”
Theater is Easy

“It’s short, but still manages to give the audience an ambitious, well-executed story with exciting moments from all involved.”
NYTheatre

“Becca Schlossberg’s taut 40-minute play, a canine allegory about the hierarchies of masculine energy, offers a compelling and mournful snapshot of the male psyche…Charmingly bouncing about the stage, the actors seem to be having a blast, but 3boys is no mere walk in the park: It has bite.”
TimeOut NY (4 stars)

“As soon as Diana Yanez dances onto the stage (mojito in hand) for Viva La Evolucion, it’s clear we’re in for an intriguing experience…The show’s strongest moments come as Yanez grapples with her love of Cuban culture while trying to discover her identity, first as a “fag hag” and then as a lesbian…Director Marjorie Duffield keeps the performance focused as Yanez rides through incredible highs and lows, making the 70-minute journey one of the more enjoyable ones to be had at the fest.”
TheaterMania

“Yanez’s friendly, welcoming presence turns the house into what feels like a living-room gathering of friends. Viva la Evolución! is a must-see for any Cubana and an enjoyable evening for all”
TimeOut NY

“Thanks to her naturally positive energy, and some very nice shaping from director Marjorie Duffield, the hour long show flies along, taking you with it.”
Theater is Easy

“funny, witty, engaging and well-acted”
CurtainUp

A reverent and deeply moving narrative documentary based on the words of those who knew, or whose lives were touched by, the iconic Harvey Milk.

“wonderfully acted by an ensemble cast…these personal remembrances chronicle his amazing legacy and also celebrate him as a man”
TimeOut NY

“a riveting, emotional exploration of the life and lasting impact of Milk through music, photographs, Milk’s own words, and reflections from those who knew him.”
TheaterMania

One of the better examples of the many documentary narrative shows this year, using text from candid real-life interviews, Open Heart turns it’s spotlight on polyamory and open relationships.

“the material in open heart is unique and compelling…One doesn’t often think of the stage as a medium that lends itself to the documentary. To see perhaps the best possible example of one onstage, get a ticket to open heart before they sell out”
NYTheatre.com

“For the most part…“Open Heart” is engrossing and illuminating…Salvatore’s five-person cast…offers nuanced work, deftly distinguishing between sometimes similar, other times divergent characters.”
Backstage

An earnest dramedy about a young closeted gay woman grappling with the resulting deceptions, her relationship, Catholicism, guilt, and family woes.

“an ultimately compassionate and humorous play about a difficult subject, well handled by its cast and director Andrew Oswald.”
TheaterMania

“The postcard for As I Am Fully Known, written by and starring Emily Rieder, contains the tag line, “I kissed a girl and my cat got struck by lightning.” This quotation aptly introduces both the conflict and the comedic tone of this two-act, full-length play…Overall, it is worthwhile to go on Gina’s journey with her.”
NYTheatre